Now Playing: Trailer

2004

Narrative

English

97 min

A Hole In One

Transorbital lobotomy, is it right for you? Ask your doctor.

Now Playing: Trailer

2004

Narrative

English

97 min

A Hole In One

Transorbital lobotomy, is it right for you? Ask your doctor.

Synopsis

In 1953, during in the small New England town of Iceville, Walter Ashton, inventor of the transorbital lobotomy, is pitching the benefits of his invention at a fair celebrating Mental Health Week.

Anna, a young woman wanting to escape her family meets Billy, a local tough guy, when he and his henchmen, Mo and Joe, are finishing beating up someone who didn't pay on time. Billy tells Anna she didn't see what she just saw and invites Anna out. She is charmed and retraumatized at the same time. Her brother Bobby returns from the Korean War and soon is hospitalized when he is attacked after preaching that the only way to get rid of communism is to get rid of God. He soon wanders off from the hospital and is hit by a train.

At home with Billy who is hitting a golf ball into a dixie cup, Anna watches Billy club to death a man who tries to escape from their basement, after which she decides to go to the local cinema and see for a second time THE SNAKE PIT, starring Olivia de Havilland. On her way home, listening to a radioplay about mental health, she runs out of gas and is given a ride by the Black taxi driver, Dan, whom she knows. She tells Dan she has decided to get a lobotomy and suggests lobotomy might help "the Negro people," a suggestion which Dan politely dismisses. She returns home to Billy and announces her determination to get a lobotomy. Billy is at first taken aback but she insists. He consents and promises he'll help her get the very first lobotomy available.

Director's Statement

While doing research for my dissertation which would become the research for A Hole In One, I met a person who told me that his mother had pursued getting a lobotomy for a long time until eventually she succeeded. Having always assumed that all people who were lobotomized were forced to undergo this treatment, I was stunned to hear about someone whose conscious desire led them to pursue this mode of treatment. Through further research I learned that there existed a small but significant number of people who had not been lobotomized against their will but who had actively sought out a lobotomy, often successfully. I was struck by the existence of such a group because it appeared to... Read More

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Reviews

A profoundly odd, intriguingly quirky little slice of Americana.

— Josh Ralske, AllMovie

A Hole In One succeeds because the character Anna is so brilliantly crafted and skillfully portrayed.

— Kathy Durkin, Matchflick.com

Dramatically, A Hole In One works... Williams (who’s gone from Dawson’s Creek to become an indie queen) is heartbreaking and Ledes’ vision... is clear.

— John Anderson, Newsday

A Filmmaker Inspired by Lobotomy–In the never-ending search for truly original topics in a world of cinematic recycling, Richard Ledes, a first-time director, probably deserves some kind of award.

— Randy Kennedy, The New York Times

Richard Ledes is a director to keep an eye on.

— Film-Forward

With more than a slight tip of the hat to David Lynch, Hole in One benefits from Williams’ willingness to walk the dangerous line between silly and sly.

— New York Daily News

A Hole In One deserves recognition as the rare debut feature with a brain.

— Ben Kenigsberg, Village Voice

A richly colored, darkly toned vision of the '50s, simultaneously fantastic and nightmarish.

— Noel Murray, The A.V. Club

An oddly haunting little nonesuch that stays with you thanks to evocative visuals and hyperreal performances. It’s an impressive debut for Richard Ledes.

— Jay Carr, AMNY

..this truly bizarre film...strikingly original, suggestive of the surrealist paintings of Dali and Magritte (right down to the bowler hats). Crazy? Maybe, but also undeniably memorable.

— Julia Cosgrove, TimeOut NY

A profoundly odd, intriguingly quirky little slice of Americana.

— Josh Ralske, AllMovie

A richly colored, darkly toned vision of the '50s, simultaneously fantastic and nightmarish.

— Noel Murray, The A.V. Club

With more than a slight tip of the hat to David Lynch, Hole in One benefits from Williams’ willingness to walk the dangerous line between silly and sly.

— New York Daily News

Dramatically, A Hole In One works... Williams (who’s gone from Dawson’s Creek to become an indie queen) is heartbreaking and Ledes’ vision... is clear.

— John Anderson, Newsday

..this truly bizarre film...strikingly original, suggestive of the surrealist paintings of Dali and Magritte (right down to the bowler hats). Crazy? Maybe, but also undeniably memorable.

— Julia Cosgrove, TimeOut NY

Richard Ledes is a director to keep an eye on.

— Film-Forward

A Hole In One succeeds because the character Anna is so brilliantly crafted and skillfully portrayed.

— Kathy Durkin, Matchflick.com

An oddly haunting little nonesuch that stays with you thanks to evocative visuals and hyperreal performances. It’s an impressive debut for Richard Ledes.

— Jay Carr, AMNY

A Hole In One deserves recognition as the rare debut feature with a brain.

— Ben Kenigsberg, Village Voice

A Filmmaker Inspired by Lobotomy–In the never-ending search for truly original topics in a world of cinematic recycling, Richard Ledes, a first-time director, probably deserves some kind of award.

— Randy Kennedy, The New York Times

A profoundly odd, intriguingly quirky little slice of Americana.

— Josh Ralske, AllMovie

Richard Ledes is a director to keep an eye on.

— Film-Forward

A richly colored, darkly toned vision of the '50s, simultaneously fantastic and nightmarish.

— Noel Murray, The A.V. Club

A Hole In One succeeds because the character Anna is so brilliantly crafted and skillfully portrayed.

— Kathy Durkin, Matchflick.com

With more than a slight tip of the hat to David Lynch, Hole in One benefits from Williams’ willingness to walk the dangerous line between silly and sly.

— New York Daily News

An oddly haunting little nonesuch that stays with you thanks to evocative visuals and hyperreal performances. It’s an impressive debut for Richard Ledes.

— Jay Carr, AMNY

Dramatically, A Hole In One works... Williams (who’s gone from Dawson’s Creek to become an indie queen) is heartbreaking and Ledes’ vision... is clear.

— John Anderson, Newsday

A Hole In One deserves recognition as the rare debut feature with a brain.

— Ben Kenigsberg, Village Voice

..this truly bizarre film...strikingly original, suggestive of the surrealist paintings of Dali and Magritte (right down to the bowler hats). Crazy? Maybe, but also undeniably memorable.

— Julia Cosgrove, TimeOut NY

A Filmmaker Inspired by Lobotomy–In the never-ending search for truly original topics in a world of cinematic recycling, Richard Ledes, a first-time director, probably deserves some kind of award.

— Randy Kennedy, The New York Times